The score itself was recorded entirely live at the Sony Scoring Stage, but at times I would use audio tracks to drag in all kinds of drum and bongo loops during the composition process.ĭid you use DP at the Culver City scoring sessions? If so, how? Did you run it on a PowerBook and if so, what model?ĭigital Performer is a huge part of our scoring process. Give us a brief description of the rig you used for writing.įor the creative part of the process, I used DP 4.61 on a Mac G5, Dual 2GHz processor with 4GB of RAM.ĭid you use DP mostly for writing, or did any of your DP tracks end up in the final score recordings? What was the basic workflow?ĭP was used exclusively for all the mockups. Thoughout the process, Digital Performer has been run native, on its own system, from the composition process to the recording process. What version of DP did you use to score the film?ĭuring M:I:3, we used Digital Performer 4.61, which worked like a charm. Michael, thanks for taking the time to speak with us. We recently caught up with Michael to ask him for details about his work on M:i:3. Michael has used Digital Performer and a host of other MOTU hardware and software products to write all of the original music for M:i:3, ALIAS and LOST. Abrams with original music written by Michael Giacchino, the same director/composer team that has brought you the prime time network TV smash hit shows ALIAS and LOST. Tom Cruise is back as Ethan Hunt in Paramount Picture's Mission: Impossible 3, now showing in theaters around the world.
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